How was it to record a full soundtrack, none of the script? Was it like jotting items down
from a retrieval search with trees of rhetoric leading to ersatz acculturation?

Simple enough picking up a pen
. . . land and lives on it have dossier functions, similarly

synthetic appropriation by composition, the vigil
and force applied putting some form of youth

into a piece, since prospective landscape does not come by itself, regardless of beauty —
the river bank played by

metaphors and substitutions of the time — more informal,
it’s taking notes, substituting after doing the math.