The ‘universal’ that is un-square and new and meta-obvious in Joan Miró is less so 
 
here — 21st century America. (I’m just making up excuses.)   
 
For design resolution  
 
— unless you already live there — take roads by a shore in bad, frivolous blues, stock blacks built up through numbers-to-be, numbers in conceptual verisimilitude and incremental balance, contradicting formal transport to the dark.