Coming in parts..

the if-movement (critique as aspiration) can be thought 
a saga you (like any if us) can pump off & on — so on    
 
-coming then coming clean is another part — if-closeness.  
Later, new police! 
[talk in paranoia...] 

And I’ve never been more uplifted, more unnerved by an against-type chamber piece somberly floating off fun insight, now audible signs, if-history, if-intention preparing the new force for a life span’s fixed melody.  
 
Unless there are police already in sight.  
 
Criticism, it seems, “must take a wider horizon of use.” But my notes are lost, seized and sealed with if-rhymes; my ears “wrapped” in thunderheads.   
 

The ‘if’ I had in mind comes in expired turmoil. His daybed is in the next police van, minus the rhetoric, with pencilled movements. The if-critique had no name; it’s all about listening.