I’ve tried my hand at cinematography, finally. What are the chances of two projects in one year.. I’ll lighten what’s complex, replacing clean and dirty dialog with ad libs, also silence, a kind of stripping down to not using your poems. Not reading enough of them for two films!

I’m making this next one into more of a slowpoke essay when it comes to transcendence. Filming is writing, so the essay part is built in. The problem is engineered simplicity, both as affectation and a trans requirement.

Looking into the camera, I go protesting demons, shopping, and I like standing outside various consulates.

I’ll let you know how diners at the beach fare.