Passion has its instigators, followers, onlookers. Which is which? How about going bonkers as an emergent lyrical property rather than following algorithms? What if, when a strange poem and appreciation of it turn up together, blanket antagonism and doubt about a future of poetry nosedive? Underscore a future, not the only one. As with any doubling of force everything seems to follow a silent samurai-like strategy: poem and commentary cohere wickedly, coolly, and it all seems thoroughly justified according to a new order.